Antigone Lives*

  • AG 3
  • AL 1
  • AL 2
  • AG 4

  • Accompanied a projection sequence with changing slides

  • During the run, the cue was longer and featured glitchy sounds that were strategically spread out throughout the surround speakers for a fully immersive experience. The stereo mix provided here offers a glimpse into the design.

0:16

These Violent Delights

  • TheseViolentDelights-photobyDahliaKatz-5206
  • TheseViolentDelights-photobyDahliaKatz-5110
  • TheseViolentDelights-photobyDahliaKatz-5235
  • TheseViolentDelights-photobyDahliaKatz-5182
  • Accompanied a chaotic dance scene towards the end of the play
  • This stereo mix offers a preview of the cue, but during the run, a more immersive surround mix was utilized to fully capture the frenetic energy of the scene.
6:20

Romeo + Juliet

  • R+J 4
  • R+J 2
  • R+J 3
  • romeo-juliet-2

  • The sample provided here offers a glimpse of the theme, which was carefully woven into the fabric of the production to tie everything together.

1:48

Thunderbodies

  • THUNDERBODIES#1
  • THUNDERBODIES #3
  • THUNDERBODIES #4
  • THUNDERBODIES #2

  • Offered a creative take on the pre-show fire speech

0:49

Once Upon a Time in 1991

  • Music score accompanies this video projection cue that played at the end of the show, featuring a character revisiting all the scenes from throughout the production (video credit to Patrick Blenkarn and Cole Lewis)

Virginia Wolf

  • Produced the score and post-production sound for this recording (covid performance was streamed)

  • The cut provided above captures the final moments of the show

Romeo & Juliet

  • r and j
  • r and j kiss
  • r&J3
  • R&J5

  • Accompanied the party scene when Romeo and Juliet first meet

  • This cue started off soft and subtle, gradually building towards the big first kiss moment
3:12

Seph

  • S 3
  • S 2
  • S 1
  • S 4

  • Crafted a cue for a dramatic kiss between Demeter and Hades, timed to coincide with a fermata in the music

1:07